The Army Museum of Western Australia Part 1

This is the first of a two part review of the Army Museum of Western Australia.

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The Army Museum of Western Australia forms part of the Australian Army History Unit network of museums that document, conserve and promote the history of the Australian Army. Housed in the, heritage listed, Artillery Barracks built between 1910 and 1913 as a home for the artillerymen tasked to defend the Port of Fremantle, the museum reflects the history of the Australian Army in Western Australia and the service of Western Australians’ service within the army from the colonial period through to the present day.

The museum explores these themes through seven sections and is one of the largest military museums in Australia. For Part 1 of this review I will show some of the exhibits from the Tradtions, Pre-1914, World War One, Prisoner of War and World War 2 Galleries. Part 2 will focus on the Post 1945 Galleries and the Guns & Vehicles section which includes the larger exhibits not displayed in the main exhibition building. Click on the photographs to read the caption information which provides more detail about what is shown.

The TRADITIONS section provides an overview of the Australian Army. Rather than focus on any single time period, the exhibits present a cross-section delving into the customs & traditions, rank structures, insignia, Regimental Colour’s, honours & awards of the Army. For visitors not familiar with the Australian Army it presents a nice introduction whilst also allowing some items, which otherwise may not have been displayed, to be shown to the public.

Australian Army brassards and slouch hat puggarees in the the Traditions Gallery. Photo: Julian Tennant
Various brassards and slouch hat Puggarees used by the Australian Army in the the Traditions Gallery. Photo: Julian Tennant
Special Air Service Regiment, Military Police and Royal Australian Corps of Transport attached to Australian Army Aviation Corps berets in the Traditions Gallery of the Army Museum of Western Australia. Photo: Julian Tennant
Special Air Service Regiment, Military Police and Royal Australian Corps of Transport attached to Australian Army Aviation Corps berets in the Traditions Gallery of the Army Museum of Western Australia. Photo: Julian Tennant

The PRE-1914 galleries cover the colonial garrisons, Pensioner Guards, pre-Federation volunteer units, the creation of the Western Australian Defence Force and the transition to Commonwealth Military Forces after Federation in 1901.

Slouch hat dated 1915 for the 25th Australian Light Horse Regiment (Militia) worn by John Campbell Dale Warren who was killed in France whilst serving with the 16th Battalion, AIF. Photo: Julian Tennant
Slouch hat dated 1915 for the 25th Australian Light Horse Regiment (Militia) worn by John Campbell Dale Warren who was killed in France whilst with the 16th Battalion, AIF. Photo: Julian Tennant

The WORLD WAR ONE galleries cover the Australian contribution to the First World War with an emphasis on the personal narratives of individual Western Australians who served in the Australian Imperial Force (AIF) during the war.

Medal group to Sister Alicia Mary Kelly MM, AARC. Sister Kelly's Military Medal (MM) was one of only seven awarded to Australian nurses for bravery under fire in WW1. Photo: Julian Tennant
Medal group to Sister Alicia Mary Kelly MM, AARC. Sister Kelly’s Military Medal (MM) was one of only seven awarded to Australian nurses for bravery under fire in WW1. Photo: Julian Tennant
Aircraft Propeller Tips Converted to Photograph Frames and hand painted to show service with No. 1 Squadron Australian Flying Corps in Egypt and Palestine 1916 to 1918. These were made by Frank Oldfield who served as a ground crew member in the squadron He is seen in uniform seated to the left with his brother, Doug, who is standing. The other frame has a photograph of his brothers (one being Jack) both in civilian clothing.
Aircraft Propeller Tips Converted to Photograph Frames and hand painted to show service with No. 1 Squadron Australian Flying Corps in Egypt and Palestine 1916 to 1918. These were made by Frank Oldfield who served as a ground crew member in the squadron He is seen in uniform seated to the left with his brother, Doug, who is standing. The other frame has a photograph of his brothers in civilian clothing. Photo: Julian Tennant

The POW experience is covered in depth with its own PRISONER OF WAR Gallery which looks at the stories of capture and internment from the Boer to Korean Wars. Special attention is given to the POW experiences on the Thai-Burma Railway through a series of life-size dioramas. If I recall correctly from the brief period where I helped as a behind-the-scenes volunteer in the mid 2000’s, these displays came about through the efforts of some of the West Australian soldiers who were taken captive by the Japanese when Singapore fell and subsequently endured the construction of the Thai-Burma railway.

3 badges made from silver foil used in cigarette packets. These were made in 1944 by Sgt K.T. Sneider, a Czech POW. The cord represents the Czechoslovkian national colours. Top to bottom - RAF Pilot Wings, POW Parachute club and a Czech Air Force Badge. Photo: Julian Tennant
3 badges made by a Prisoner of War from silver foil used in cigarette packets. These were made in 1944 by Sgt K.T. Sneider, a Czech POW. The cord represents the Czechoslovkian national colours. Top to bottom – RAF Pilot Wings, POW Parachute club and a Czech Air Force Badge. Photo: Julian Tennant
Cased American Air Force Badge made by American POW's in 1944. Made from bits and pieces found in the camp, for example the lead to blacken the badges was taken from ridge capping off prison buildings. Photo: Julian Tennant
Cased American Army Air Force Aerial Gunner’s badge made by American POW’s in 1944. This badge was made from bits and pieces found in the camp, for example the lead to blacken the badges was taken from ridge capping off prison buildings. Photo: Julian Tennant

WORLD WAR TWO is represented in the next section which is upstairs. It follows the stories of the Australian Divisions of the 2nd AIF through North Africa, Greece, Crete, Syria, Singapore, Papua/New Guinea and the campaign in the South West Pacific Theatre. It also explores the home front and how Western Australia, isolated by distance from the rest of Australia prepared for its own defence.

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Syrian Khanjar Daggers. This pair of decorative daggers, one with Damascus 1942 engraved on the scabbard was acquired as a souvenir from Damascus by WX8940, Private Brian George Watson of the 2/28th Battalion. He became a POW of the Germans at the Battle of Ruin Ridge on 16/17 July 1942, which was the final attack of the first Battle of El Alamein. Photo: Julian Tennant
Syrian Khanjar Daggers. This pair of decorative daggers, one with Damascus 1942 engraved on the scabbard was acquired as a souvenir by WX8940, Private Brian George Watson of the 2/28th Battalion. He became a POW of the Germans at the Battle of Ruin Ridge on 16/17 July 1942, which was the final attack of the first Battle of El Alamein. Photo: Julian Tennant

For those interested in commando and special operations, this gallery features a very nice selection of exhibits related to the activities of the Australian commandos, particularly the 2/2nd Independent Company and Z Special Unit of the Services Reconnaissance Department.

Fighting Knives and Knuckle Duster used by Australian Special Forces Units such as Z Special Unit, 2/2md Commando and III Australian Corps Guerilla Warfare Group. Photo: Julian Tennant
Fighting Knives and Knuckle Duster used by Australian Special Forces Units such as Z Special Unit, 2/2md Commando and III Australian Corps Guerilla Warfare Group. Photo: Julian Tennant
The Motor Submersible Canoe, better known as a "Sleeping Beauty" was developed by Camper and Nicholsons Yacht Division in the UK in conjunction with the Royal Marines in 1943. They were designed to deliver one man silently into harbours to attach limpet mines to enemy vessels. Although used for training in the North Sea they were used operationally for the first time by Major Ivan Lyon of Z Special Unit on Operation RIMAU in 1944.
The Motor Submersible Canoe, better known as a “Sleeping Beauty” was developed by Camper and Nicholsons Yacht Division in the UK in conjunction with the Royal Marines in 1943. They were designed to deliver one man silently into harbours to attach limpet mines to enemy vessels. Although used for training in the North Sea they were used operationally for the first time by Major Ivan Lyon of Z Special Unit on Operation RIMAU in 1944. Photos: Julian Tennant

This is a well laid out and interesting museum, with clear descriptions of the exhibits, supported by a staff of volunteers including many ex-servicemen who are happy to chat to visitors. Being largely volunteer run, the opening hours are a little restricted, being from 10:30 until 15:00 (last entries 13:00) from Wednesday to Sunday. There is no on-site parking for visitors, but it is not too difficult to find parking in the surrounding streets. If you’re relying on public transport, several buses leaving from the Fremantle train station pass close by or it’s an easy 20-minute walk from the station. An important point for visitors to note is that all adult visitors must be able to show appropriate photo identification (passport, drivers’ licence etc) prior to entry.

In Part 2 I take a look at the Post 1945 Galleries plus the Guns & Vehicles section.

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The Army Museum of Western Australia
Artillery Barracks
Burt Street
Fremantle, Western Australia, 6160

Phone: +61 (0)8 9430 2535
Fax: +61 (0)8 9430 2519
Email: info@armymuseumwa.com.au
Website: www.armymuseumwa.com.au

Open: Wednesday to Sunday inclusive from 10:30 am to 3:00 pm. Last entry at 1:00 pm.
Group bookings can be arranged for Wednesday, Thursday or Friday.

Note:
Photo ID required for entrance
Wheelchair access available
Only ACROD parking allowed on-site

Entry Fees:
Adults $15
Seniors/Concession $10
Child (6-17) $10
Family Group (2+3) $35
For School and other group tours refer to details in Bookings

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Reproduction Australian Rising Sun hat badges on sale at the museum shop. Photo: Julian Tennant

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